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Category: Music

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Beethoven’s Ninth Video

Posted on July 17, 2012 By Tom No Comments on Beethoven’s Ninth Video
Music

Videographer Valdas Katovas recorded our spring concert, a performance of Beethoven’s 9th Symphony with the Greenville Symphony Orchestra and Greenville Chorale. This video is the entire fourth movement. You can occasionally see me on the front row of the Chorale, next to the tympani and behind the trombones. Beethoven No 9 from Valdas Kotovas on … Read More “Beethoven’s Ninth Video” »

O Freunde, nicht diese Töne

Posted on May 6, 2012 By Tom 1 Comment on O Freunde, nicht diese Töne
Entertainment, Music

To Joy

Joy, thou beauteous godly lighting,
Daughter of Elysium,
Fire drunken we are ent’ring
Heavenly, thy holy home!

Thy enchantments bind together,
What did custom stern divide;
Every man becomes a brother,
Where thy gentle wings abide.

Be embrac’d, ye millions yonder!
Take this kiss throughout the world!
Brothers—o’er the stars unfurl’d
Must reside a loving father.

–Friedrich Schiller, 1786

Last night the Greenville Chorale joined forces with the Greenville Symphony Orchestra for a performance of Beethoven’s 9th Symphony.  The 9th is one of my favorite pieces, and I’ve had the privilege to perform it once before.  Last night’s performance, though was one of the most stirring I’ve ever experienced.

For the Chorale, the piece came together fairly quickly.  Many of us were familiar with the music, but also the chorus doesn’t sing that much in the concert.  We’re only there for the last half of the last movement of the piece – about 20 minutes worth. Bing Vick often let us out of rehearsals early, which was a nice change of pace.

However, that is a VERY challenging 20 minutes.  First there is the range.  The piece is written at the extreme upper vocal range for all parts.  I can’t think of another piece that has the basses singing a high F as many times and as long as this one does.  Then there was the tempo set by Maestro Tchivzhel – fast, then blindingly fast.  We had to squeeze a mouthful of German syllables into such a fast pace that I don’t think any of us got all of the words correct, even in the final performance.  Oh, yeah, they had to be on the right pitches and at the right dynamic, too.  It was a bear.

Read More “O Freunde, nicht diese Töne” »

She Blinded Me with Science

Posted on March 22, 2012 By Tom 1 Comment on She Blinded Me with Science
Entertainment, Music

Thomas Dolby

Last night Laura and I went to see Thomas Dolby at The Handlebar. It was the first band we had seen in a long, long time – a great show, and a throwback to our college days.

Dolby is currently touring the country in his “Time Capsule Tour.” The show features lots of steam-punk kitsch, and a mocked up “time capsule” in which visitors can leave a “30 second message for the future” (basically a webcam uploading to YouTube.) The time capsule is a mini camper tricked out with steam-punk accoutrements.

TD Time Capsule

Thomas Dolby at Handlebar

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Hymnal Blasphemy

Posted on March 5, 2012 By Tom 10 Comments on Hymnal Blasphemy
Music, Rants

hymnal 1

I’ve mentioned before that I collect hymnals. I prefer older, antique hymnals, but I’m just as interested in newer versions, particularly if it’s from a congregation with which I’m not as familiar. One of the first things I’ll do when visiting a church is grab a hymnal to see what they are using.

On occasion I’ll Google the term “antique hymnal” to see what comes up on eBay or other sites just to see if there are some interesting hymnals available. Recently these searches have found something that really makes my skin crawl. I think the phrase is “Antique Hymnal and Ephemera Crafts” and I’ve come across this blasphemy most often on that bastion of bad taste, Etsy.com. No, I won’t be posting any links because to me that would be just like posting a link to porn.

Crafters are using old hymnal pages to create all manner of evil, from wreathes…

il_570xN.304726544

2012-03-05_0806

il_fullxfull.304728644

…to roses…

il_570xN.296655279

2012-03-05_0805

…to gift wrapping…

2012-03-05_0758

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Sacred Music for a Sacred Space

Posted on February 20, 2012 By Tom No Comments on Sacred Music for a Sacred Space
Music, Photography

St George from Choir Loft

Sunday afternoon the Greenville Chorale Chamber Ensemble presented its annual concert at St. George Greek Orthodox Cathedral. The concert was entitled “Sacred Music for a Sacred Space” and featured sacred music by contemporary composers. The pairing of music with venue was well-planned, and somewhat modeled the liturgy that might be followed in a traditional service.

Saturday morning we had our dress rehearsal in the cathedral, and I brought along my camera to get a few shots of the interior. I started with exterior shots…

St George Exterior 1

…then moved to the interior to photograph the stunning mosaics above the altar.

St George Interior 1

St George Interior 3

St George Interior 2

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iPad as Effects Processor

Posted on February 4, 2012 By Tom No Comments on iPad as Effects Processor
Gear, Music

Bell Sound Waves 1

So far we’ve looked at iOS devices as digital audio workstations, notation readers and scorers, and as musical synthesizers. This time we’re going to take a look at the devices as effects processors.

The phrase “effects processor” is a catch-all term that refers to just about any way that sound is manipulated before its amplified, recorded, etc.  This could be as basic as adding reverberation to make it sound like your in a large auditorium instead of a small recording studio, or as complex as auto-tuning, looping, or otherwise radically altering the sound.

Effects devices typically took two forms.  There were rack-mounted devices that controlled EQ, compression, reverb, delay, etc.  Then there were performance devices.  These were usually geared toward guitarists, and included the Fuzz, WahWah, Flanger, and distortion peddles.  Now a whole range of effects peddles can be found.  Rack-mounted effects are still important in studio work, but most of those effects can now be found on performance devices themselves, such as keyboards, etc.

Effects apps for iOS seem to look more like performance level devices, and this makes sense.  The portability of the device makes it a great alternative if you needs some quick effects and don’t want to lug all your gear with you.  If you’re doing a jam session or just practicing, these are great.  I’m not sure how it would work in a studio setting, though.

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Audio Sharing with Chirbit

Posted on January 20, 2012 By Tom 3 Comments on Audio Sharing with Chirbit
Internet, Music

MWSnap024 2012-01-20, 08_11_44

Some time back I posted a wish list for audio file sharing. I was looking for something analogous to YouTube, but for audio only. I found two services, Audioboo and SoundCloud, that seem to work well, and I’ve been using those. However, a third one has come onto the scene. Chirbit is about audio hosting system, and it seems to meet most of my wish list items.

Chirbit as many of the same features as Audioboo and Soundcloud. It appears to be set up more on the Audioboo model, which allows user an unlimited number of files, but restricts the length of of those files. Accounts are free, but there is an upgrade to a paid version which allows longer files. Here’s an example using my traditional test file, my reading of Edgar Allen Poe’s Annabel Lee…


Check this out on Chirbit

As with the other services, you can upload various audio files, or you can record directly into the service from your computer’s microphone. Chirbit offers two other options. First, you can strip the audio from YouTube videos to upload to the service. You input the URL for the video, and it uploads that to Chirbit.

MWSnap025 2012-01-20, 08_12_00

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iPad Music Synthesis

Posted on January 11, 2012 By Tom 1 Comment on iPad Music Synthesis
Gear, Music

RickWakemanKboards

OK, if you haven’t figured it out by now, I’m a synthesizer geek. In high school my favorite bands were synth-heavy bands like Yes, Kansas and Styx, and my hero was Rick Wakeman with his banks of keyboards and flowing robes. I was even privileged to meet and interview Dr. Robert Moog when I was in college, and I tried to learn all I could about music synthesis.

Back in the 1970’s I would drop by Pecknel Music and drool over the Minimoogs and ARP 2600s they occasionally had on display there. And drool was all I could do, for at prices ranging from $2000-$3000, these were far beyond my reach. When I finally got a teaching job and could purchase my own synthesizers, we were well into the Digital FM Synthesis days of the 1980’s. Musicians were already reminiscing about the fat analog sounds of the old monophonic synths of the 1970’s, something they still do.

…And that nostalgia seems to be paying off. Many of the old synths, or at least the concepts behind them, have been recreated as VSTis, and now these are being ported over to the iPad and iPhone. Technology that used to cost thousands of dollars is now available as a $4.99 app.  But there’s a trap…with the cheap price you may find yourself wanting ALL of the available synths, and still wind up sinking a ton of money for apps you’ll use a couple of times and forget…still cheaper than a vintage synth, but pricey all the same.

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iPad Music Notation

Posted on January 11, 2012 By Tom No Comments on iPad Music Notation
Gear, Music

Saturday we had a Chorale Chamber Ensemble “retreat,” basically an all-afternoon rehearsal when I would have preferred being out on my kayak. This group is fairly tech-savvy, and there is always a good contingent of smart phones, e-readers, and iPads somewhere in the hall. Usually these are pulled out before rehearsal or during break (or surreptitiously used to take blurry photos, as I did in this post.) However, at this particular rehearsal I glanced over at one of our tenors and saw that he was holding his iPad throughout rehearsal rather than his music. Perry had scanned all of his music into PDF files and was reading from the iPad.

Perry with iPad

This caused quite the stir during break, and several of us pulled out iPads to compare scoring apps. Perry was kind enough to share his scanned PDF files (not illegal in this case since we have legitimate copies in our possession.) The following Monday evening I had the music on my iPad, as did soprano Amy.

Amy with iPad

…Which leads to this post in my series on iPad music. What apps are available for both reading and creating musical scores? Quite a few, as you might imagine.

Read More “iPad Music Notation” »

Electronic Music Primer

Posted on January 9, 2012 By Tom No Comments on Electronic Music Primer
Gear, Music

moogrc6

I figured that before I dive into the musical capabilities of the iPad, it might not hurt to define some of these terms and acronyms that I’m tossing around. As with any field, electronic music has its own jargon that can be quite confusing. These are roughly in order of how frequently I’ll be using the terms over the next several posts. I don’t pretend to be an expert, and will probably get some of this wrong, but here goes…

Musical Instrument Digital Interface (MIDI) – MIDI was developed as a communications protocol in the late 1970’s, early 1980’s. It allows musical keyboards to control other keyboards and devices such as computers, etc.

Even though it was developed thirty years ago, MIDI is still very much in use. Back in the day when computers didn’t have much memory, MIDI was also a very efficient way to create complex compositions. A computer or external sequencer only had to record key-on/key-off, pitch, and duration data. The actual sounds were produced by the external keyboards or sound modules. Other capabilities were added to the protocol, such as the ability to detect velocity, or how hard a key is pressed, and the ability to control various settings on instruments such as sustain, and to trigger events such as changing lighting, changing settings, etc. You could also play multiple keyboards from one controller keyboard, creating thick sounds and tonalities from multiple instruments.

MIDI has 16 different channels, and different instruments can be assigned to various channels. On most keyboards you will find a MIDI in, out, and through port. On many modern keyboards the MIDI signal is now transmitted through a USB port.

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