Ken Cothran was very indulgent. He waited patiently as I tried out all of the gear in the Moog showroom. After our Moog Adventure we were having a discussion on Facebook, and he confessed that most of what he had heard sounded like noise, and he wasn’t sure how such an instrument would be used in composition. Ken wasn’t criticizing the instrument, but just didn’t have the background with it.
I explained that for the most part at the Moog Store they were just putting the instrument through its paces, demonstrating the the types of sounds it could create. This would be similar to running a few scales on a chosen instrument. The Moogs are monophonic, and are meant to be part of a toolbox of instruments, which would include multi-track recorders and sequencers.
As I was trying to come up with a good example of how these instruments could be used (Monophonic Moogs specifically, as opposed to modern polyphonic digital keyboards), the first thing that came to mind was the classic – Switched on Bach, by Wendy Carlos.
